at the Broad Institute Auditorium, NE30, 7 Cambridge Center. “Too Hot to Handle,” a lecture/demonstration by Nappy Grooves, takes place Wednesday from 7 to 8:30 p.m. Anyone who’s open will be inspired by our performance.” Together they complicate conventional notions of what it means to be a drag king, while highlighting the impact queer women, trans men, and non-binary people have had on drag. “Be they straight or gay or trans or bi or whatever,” said Richardson, “I think drag is useful and challenging to anybody who is open to questioning gender norms. Richardson, for example, often plays a swaggering black male character who’s a womanizer secretly attracted to men. At MIT, Nappy Grooves will tackle issues such as racism and politics through music and play-acting. “But the particular crop of people who call themselves drag kings has gained momentum.”ĭrag kings have become more and more a fixture in queer performance events. “People have done gender performances for a very long time,” said Richardson, an English professor at the University of Texas. But drag kings have been around since the beginning of time it’s not. The five women of Nappy Grooves, according to member Mattie Richardson, all have different LGBT (lesbian, gay, bisexual, transexual) identities. In the last 10 years, I’ve seen it go leaps and bounds in the quantity and creativity of the kings all over the world. When I thought of drag, I thought of gay men in dresses, mocking women and. “Bisexual, lesbian, gay, heterosexual, transsexual, asexual, omnisexual. Sat 21.01 EST Last modified on Fri 10.04 EDT I never thought I’d grow up to be a drag king. “Drag queens and drag kings have all different sexualities,” said Oshima. This class focuses on developing drag characters that expand what it means to be a drag. And stereotypical images of those in drag. Through group games, solo writing exercises, authentic movement.
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